Art
Criticism in a Pinch
An
Elementary Art Teachers Guide
Compiled by: Michele
Comp
Why this list was compiled:
We
all want to be good at what we do and for me that is teaching art. As an
elementary art educator, I pride myself in the artwork of my students; they
are, after all, some of the most fabulous artists I know. I share my student’s
creative successes with anyone who is interested, though social media, local
businesses, art contests, and school displays. I encourage my students to work
in a vast variety of mediums while I work hard to keep on top of new trends in
technology and art education. I consider myself a well rounded educator with my
student’s best interest as my top priority. However my world was completely
rocked, in one graduate course, when I became haunted by one major question.
“What do they know?” Sure, my students know a lot of different artists, styles,
mediums, techniques, and skills but what do they really know? In taking
criticism on the go, I couldn’t help but think about how my students will use
this information in the “real” world. OK, I hate that saying, because for these
kids, school is the real world and it will be until they are about 17 years
old, and while life will change after graduation, it won’t be as if they were
living in some la la land for the past 13 years. When I say the “real” world, I
am talking about daily life, the world that surrounds you no matter what age or
stage of life you are in. Every day we are bombarded with images. These images
come at is though many means and may appear differently depending on our age,
sex, race, religion, political views, and personal beliefs, ect.. While not
every image will claim to be art, knowing how to interpret art will help us to
interpret new images we encounter and to have a deeper appreciation for the
world we live in. While my students may not find value in everything they see,
they will be able to consider it, investigate it’s meaning or purpose, and
possibly appreciate it.
In
asking myself this difficult question of “what do they really know”, I was
forced to take a step back and evaluate the classroom experience I was giving
my students. I like to think of my classroom as inquiry based, exploratory, and
open to multiple points of view, and while I believe this is true when it comes
to art making, I think it could be truer when it comes to looking at the art of
others. I often teach about other artists and allow students to draw
conclusions on common themes, make connections to things they know or care
about, and look before they begin to tell me what it means or why. These are
all great and I feel happy that I have these activities in place but want to
make more of them, lots more, in every lesson I teach. I think my students would
grow from the opportunity to interpret more freely.
In teaching about Matisse’s “The Snail”, 1953,
I told a group of 1st graders that my favorite thing about art is
that everyone can look at a work and see something different. I think this
statement has become more true after exploring art criticism more in-depth, and learning of the endless
possibilities for art interpretation. No single interpretation of an artist’s
work exhausts the meaning of that work (T. Barrett, 19) I want my students to
have opinions, beliefs, and preferences, I want them to know how to use their
own experiences to connect and interpret works of art and images in popular
culture, and I want them to feel safe to share their own ideas while developing
a respect and appreciation for the opinions and ideas of others. The world is
ever growing and ever changing, as is art, and the interpretations. I want to
to interject opportunities for deeper exploration and interpretation in every
lesson. If it is
true that nothing is new under the sun, then I should be able to find artwork
that connects to everything my students create and if not they can always
interpret their own work or the work of a friend. There are amazing lessons in
interpreting art, those of tolerance, consequence, delivery, and acceptance. Art
matters (T. Barrett, p.84), it’s everywhere we look. I believe that the more my
students practice interpreting art and working through the critical process the
more natural it will become, soon, they won’t even realize they are doing it
and it will become a natural part of their daily life. This is why I compiled
this list of resources, ideas, and activities for art criticism.
What
you will find:
In
the following posts you will find a variety of games, activities, writing and
acting prompts, questions, and more to encourage art criticism in your
elementary classroom. Some will require preparation in advance while others
will easy to use right away. The activities shared are compiled from course
resources, the internet, and my own classroom experiences.
How
to use:
Every
time you plan a new lesson and see that is lacking the opportunity for
interpretation, glance here, and see what ideas you could adapt to fit your
lesson. Some ideas would also be great for emergency substitute plans, one day
lessons, exit activities, and to inspire collaboration with regular educators.
To find an activity that works for
you click the labels on the left. The Criticism activities have been divided
into categories based on how you would like to students to explore the work.